The current program of the Conference is provisional and may be modified in the coming days. It is recommended to regularly consult the website and, in any case, the printed version of the program that will be distributed in person at the Conference.

WEDNESDAY 2nd

14.00 - 14.30

Institutional inauguration

14.30 - 15.00

Presentation of the Una Europa Network of Medieval Colors

15.00 - 16.00

Opening Speaker

Methodology and the Iconography of Colour

Colloquium.
Moderator: José María Salvador González (UCM)

16.00 - 18.00

Keynote Speakers

The Artistic and Documentary Dimension of Medieval Colors

La interpretación de las fuentes de la tecnología artística: el caso del azul ultramar en la policromía del Pórtico de la Gloria

Tintes y pigmentos medievales en las farmacias históricas de la Época Moderna: tradición e innovación en tiempos posteriores a Paracelso

Colour Intensity as an Obstacle and a Challenge: Central European Stained Glass at the Crossroads (1400-1450)

Colloquium.
Moderator: Ana María Cuesta Sánchez (UCM)

18.00 - 18.30

Break

18.30 - 20.00

Papers Presentations

The Material Dimension of Medieval Colors

'De distemperacione coloris'. Recetas técnicas de los siglos XIV a XVI para el aglutinado de los pigmentos con témpera y óleo
Otherworldly Color in the Vision of Tundale
Flesh Colors in the Romanesque Mural Paintings of the Central Apse of Saint Climent in Taüll
Azurite for a Kingdom. The Importance of the Use of Azurite Pigment on Mural Paintings in the Fourteenth Century Kingdom of Navarre
Veladuras medievales con colorantes y pigmentos-laca. De las fuentes a las reconstrucciones experimentales
Color and Reconstructing Medieval Cairo’s Domestic Interiors
Dreaming Back While Looking Forward: The Reception of Medieval Colours and Techniques in Victorian Times
Colloquium.
Moderator: Miguel Lahuerta Berazaluce (UCM)

THURSDAY 3rd

8.30 - 11.00

Keynote Speakers

The Symbolic Dimension of Medieval Colors

'De Sacro Altaris Mysterio'. Alegoría y visualidad en la codificación de los colores litúrgicos del rito romano bajomedieval

A Matter of Contrast: Colour and Colour Perception in Late Medieval Philosophy

Rojo y negro: la oscura huella del mal. Naturaleza y estética del diablo

Colorful Mary: Virgin’s Symbolic Colors in Medieval Hyms

Colloquium.
Moderator: Estrella Sanz Domínguez (UCM)

11.00 - 11.30

Coffee-Break

11.30 - 13.00

Papers Presentations

The Material and Technical Dimension of Medieval Colors

La pintura mural de Al-Andalus: antecedentes y técnica de ejecución
The Use of Colour in Medieval Paintings in Cappadocia (Turkey)
El color original del palacio de Pedro I en el Real Alcázar de Sevilla.
Materials and Techniques of Selected Mural Paintings in Central-Eastern Europe from the End of the 14th Century
Aportes al conocimiento del uso del color en un manuscrito carmesí a partir de una falsificación documental ad hoc del siglo XVI
Colloquium.
Moderator: Alejandro Morán Barrio (UCM)

13.00 - 14.30

Lunch

THURSDAY 3rd

14.30 - 15.45

Keynote Speakers

The Symbolic and Material Dimension of Medieval Colors

Figuras y colores en los manuscritos carolingios: modalidades de un discurso visual

From Porphyry to Limestone. On Material Polychromy in the Tombstones of Polish Kings at Cracow Cathedral (c. 1333-1502)

Colloquium.
Moderator: Irene Laviña Pérez (UCM)

15.45 - 18.00

Papers Presentations

The Symbolic and Material Dimension of Medieval Colors

Polychromy and Symbolic Order in the Angel Roofs of East Anglia
Rainbow Bright and the Black Sun: Love and its Colours in the 'Roman de la Rose' and 'Niẓāmī’s Laylī va Majnūn'
Lead White as Transformative Material in Cimabue's Assisi Murals
Una estética construida del caos: esta vez, en color
Clerical and Chivalric Attitudes to Colour from the Twelfth to the Fourteenth Centuries: Codification, Proliferation and Symbolism
Deep Into the Blue: The Use of the Ultramarine Blue as a Signal of Power in 'Les Très Riches Heures du Duc de Berry' 1404-1416
Symboles du jaune dans le culte byzantin des saints militaires dans une église moldave du XVe siècle: Le jaune du monastère de Pãtrãuţi
Seeing and Understanding Medieval Blue
Colloquium.
Moderator: Aurora Galisteo Rivero (UCM)

18.00 - 18.30

Break

18.30 - 20.00

Keynote Speakers

The Symbolic and Material Dimension of Medieval Colors

Los secretos del azul esmalte: 'Quaderni di fornace'

Colores y Ley: el uso de los colores en las miniaturas de manuscritos legales (siglos XIII-XIV)

Color As Discourse: The Golden Vine of the Drogo Sacramentary

Colloquium.
Moderator: Gwendal J. Martín Campaña (UCM)

FRIDAY 4th

8.30 - 11.00

Keynote Speakers

The Material and Technical Dimension of Medieval Colors

Reflejos de la divinidad: el uso del metal en las decoraciones arquitectónicas medievales

La policromía en la decoración arquitectónica Nazarí. Materiales y técnicas

Heaven is a Place on Earth. The Significance of Glass from the Material to the Imaginary

Colores que cautivaron. Textiles en la Castilla del siglo XIII

Colloquium.
Moderator: Ángel Pazos López (UCM)

11.00 - 11.30

Coffee-Break

11.30 - 13.00

Papers Presentations

The Material and Technical Dimension of Medieval Colors

Materialidad, recepción y simbología del color en la escultura monumental de los condados catalanes. El caso de los pórticos de Ripoll y Agramunt
The Colours of the Abstraction: Trecento and Quattrocento Utopias
Questioni di facciata: quando le cattedrali non erano bianche
Colorare la memoria: la policromia della tomba d’Isabel d’Aragona, regina del Portogallo
El color azul en los códices iluminados de los primeros reyes de Avis, 1420-1470 – Estudio artístico y laboratorial integrado.
Colloquium.
Moderator: Macarena Moralejo Ortega (UCM)

13.00 - 13.30

Institutional Closing